Monday 31 May 2021

Conatus Classics - The First Year

 

On 31st May 2020, I have published the first article of Conatus Classics, which is a section with the intention to discuss the History of Thought. The articles in this section have spanned the broadest of scope I have ever written about the other topics from cinema and science. For the past year, I have many opportunities to explore diverse themes from philosophy, history, science, poetry, drama, politics and social science in Conatus Classics. When I write articles for Film Analysis, I often take a more liberal approach and express many personal opinions, as cinema is something that has fascinated me for many years and it is also a topic I am well-acquainted with. For Conatus Classics, I take a more objective and impartial approach, and have carried out more background research, which includes reading the original text. An improvement is probably more careful close-reading of the original sources, so that the readers can more easily appreciate the different interpretations that arise from the ideas of these curious thinkers.

 

The first year of Conatus Classics has placed an intense focus on Natural Philosophy of Ancient Greece. Almost all the Pre-Socratic philosophers have expressed opinions, or have gone as far as developing coherent philosophical systems, to account for the world in a rational way. The information acquired from the myth of the epic poets would no longer be useful for the understanding of humanity, that has given way to the use of rational speculations. These thinkers attempted to understand, amidst the ‘many’ in the universe, what was the ‘one’ that everything was originated from? In short, what is the ‘physis’ (Greek for ‘nature’) of things? The philosophical ideas from these ancient thinkers may be dated by today’s standard, yet one cannot deny the imaginative aspect of the many ideas that have survived the passage of time. Some of the ideas have even provided the foundation of different schools of thought that are still relevant today: materialism, rationalism, ontology, theology, behaviourism, you name it.  The wise men from the Pre-Socratic era – from Homer, Solon, Thales, to Pythagoras, Parmenides and Democritus – have all left lasting impressions for future people, and their impacts were no less significant than the Holy Trinity of philosophers from Classical Greece.

 

Creative juxtapositions have also been committed in a series of articles. The tragedians from the Classical Greece -  Aeschylus, Sophocles and Euripides – have been compared with three brilliant filmmakers of the 20th century – Griffith, Kurosawa and Peckinpah. The more we attempt comparisons on the 2 distinct art forms, the more surprises we can discover. What have struck me are the similarities in the emphasis on the universal human issues, stressed by the artists from two millennia apart. That represent the legacy of artistic innovation offered by the members of our species.


Looking forward to the 2nd year of Conatus Classics, the concentration will be on the thinkers from Classical Greece onwards. The focus will be shifted from the heavenly bodies back to our Earth. The humanism of Classical Athens and the associated ideas would shape the Hellenistic philosophy. The diverse schools of this later era had the common theme on proposing systems for the individual to interact with the world which he was situated in. The philosophical deliberations led to implications in diverse ethical outlooks and possible ways towards ‘eudaimonia’ (commonly translated as ‘happiness’).

 

The other face of Classical Studies is focused on the Latin world. The ancient Roman Empire is renowned for its contribution to legal studies. The Roman Law serves as the locus classicus for the development of jurisprudence in the Western world. The ancient empire was also famed for its contribution in literature, rhetoric and philosophy. The studies of ancient Rome are just as interesting and inspiring as ancient Greek studies. These are the topics I will explore in the 2nd year of Conatus Classics! 


by Ed Law 

Conatus Classics


Sunday 30 May 2021

A Few Words on Oscar

The Academy Award for 2021 has come late, yet it was still present for the sake of historical records. Many of the winners and key contenders, following the trend of the past few years, are films about outsiders and the unnoticeable. Gone were the days of the larger than life epic heroes in past films that have garnered many Oscars. The underdogs found their voices in the many films for the Award this year. Be it a nomadic existence due to economic circumstances, the whistle blower who was silenced due to a heterosexual power structure, idealistic characters who became fall guys to ideology and political power struggle. Even people forgotten in history re-emerge:  people may know Orson Welles and his masterpiece Citizen Kane, but how about Herman J. Mankiewicz, the writer who collaborated on the script and received an Oscar along with Welles? Even in a larger than life film, Tenet, the hero and the villain have to resort to alternatives - by reversing the time to place an edge against each other in the struggle. The truth is, these stories are closer to our experience, and the characters are no less heroic than the idealized heroes often found in the uplifting films. 

 

Universal theme of family values is upheld by a few winning films, emphasizing to the audience that no matter how the world has changed, there are some fundamental values that can be truly considered as humanity’s legacy. ‘Minari’ stressed the need for family relationships in a foreign land; ‘The Father’ stressed the compassion required for surviving old age; and ‘Nomadland’ reminded the audience of the humanism common in all the drifters and loners. The importance of family values and emotional support, after all, is independent of geography and context, and this note is in particular relevant for the divided world of today.

 

While there are many young and talented contenders in the acting category, it is just as happy to see the veteran performers, like Anthony Hopkins and Frances McDormand, getting the recognitions they deserve. It has been about 30 years since Mr. Hopkins first received an Academy Award, with the Chianti-loving Dr. Hannibal in ‘The Silence of the Lambs’. Mr. Hopkins has proved to be a versatile actor throughout the years, from portraying President Richard Nixon to the Pope. In ‘The Father’, the Jonathan Demme-style stare from the intense Dr. Lecter is no longer required: Mr. Hopkins offered us an intimate portrayal of an aging father, alongside with Oliver Colman’s brilliant supporting performance. 


Frances McDormand, the frequent leading lady of Coen Brother’s edgy masterpieces, is known for heightened characters like those in ‘Fargo’ and ‘Three Billboards’. In her Oscar-winning performance of ‘Nomadland’, we can see the more subtle side of Ms. McDormand’s performance, which can be easily overlooked when one associated her with the darker films she has often appeared in. It is also gratifying to see that she has taken a more active role in the film by acting as a producer. While actors and actresses have often involved in the backstage work of film production through the history of cinema, this has become more commonplace in recent years. This is indeed a great testament for the enrichment of cinematic experience for practitioners in the film industry! 


by Ed Law 

Film Analysis