thematic aspects.
For Jancsó, a major theme
of his work is power – especially that of political power – and
its potential abuse at the cost of the others. Before the end of the
1960s, his work was more committed to a social realism, and the
topics in his work, which was often based on historical events,
contained many political allegories and provided critique on
political issues. His work has often been the favorite contenders at
the Cannes Film Festival, where he was nominated for the Best
Director award for a number of occasions.
At the start of 1970s,
Jancsó’s films became more stylized. He used more abstractions and
symbolism (such as the circular shape), and carefully choreographed
the elaborate scenes, and employed far more long takes. Especially
worth mentioning is ‘Red Psalm’ (1972), often cited Jancsó’s
masterpiece. The film, which was about a small peasants’ revolt at
the late 19th century, consisted of numerous long takes (ASL ca. 3
minutes), and each lengthy shot was accompanied by music often
performed by the characters, rendering the film a fluid and musical
feel. His later films, while varying in themes and focus, were more
or less adopting a similar style.
by Ed Law
Film Analysis
