Woody Allen's 'September' (1987) is interesting because it is a serious drama, present in an era when Allen was still mainly concentrated in the comedic genre. The film is very similar to his 'Interiors' (1978), in terms of design and content. Yet, 'Interiors' is a more daring and hardcore drama, and the tone is dark and somber throughout the film. Allen intended to shoot 'September' as a chamber play, as if a theatrical production captured on film. Thus, he adopted a restricted and austere approach when filming, limiting the story inside an apartment , with only 6 key characters. Allen's choice of techniques also showed his commitment to make 'September' as theatrical as possible - the prominent use of long takes and avoidance of Bergman-esque close up shots. That is quite distinct from 'Interiors', given the latter film's influence from Bergman.
'September' is loosely influenced by a play of Anton Chekhov, though Allen has taken some liberty in his own screenplay. Lane (Mia Farrow) has moved into a sumptuous apartment, while sorting out some of her personal trauma at the young age. Some other family and friends moved in and out of the apartment, interacting and also exploring their hidden personal feelings for each other.
The situation for Lane in the film was to come to terms with a scarred experience from her past, and to look for a peace of mind by moving into the new apartment. The scenario was rather ironic because it resembled the real experience for Allen to film 'September'. Allen encountered a few changes in plan, and actually re-shot the whole film by changing many of the cast members. Even he is not satisfied with the end-product we are now watching, as it underachieved in the theatrical release. It sounds as if Allen is finding the best endpoint for this film, and he has stated that he is willing to do that again if he has another chance.
The denouement of the film, as Lane finally admitted the origin of her mental issues, was very cathartic if it was compared with the calm atmosphere throughout the film. The power was quite similar to the part in 'Persona' when Elizabeth asserted the nature of her identity. Only through the power of communication could the characters reconcile with the truth, so that they could get over it and led a positive outlook to continue their journeys in life.
Once the storm has subsided, life moves on.
by Ed Law
Film Analysis
